Movie Reviews n Songs: April 2010

Darling

Songs : 1. Neeve
2. Yeyo
      3. Bulle
      4. Pranama
      5. Inka Eedo
      6. Hoshare

Rieview :

Entertaining from the time of ‘Tholi Prema’ till ‘Ullasamga Utsahamga’, director Karunakaran has always tried to make the audience smile. With ‘Darling’, he has not disappointed viewers who are looking out ways to relax this summer.

Talking about summer, ‘Darling’ is a summer treat for movie buffs and Prabhas fans in particular. Lets get to point now:

Songs : 1. Aidhurojula Pelli
      2. Bahusha Vo Chanchalaa
      3. Thalambraalatho
4. Saare Jahaa
      5. Aidhurojula Pelli 2
      6. Kalalu Kaavule
      7. Relaare Relaare

Rieview :

“The intention of the director is good but has he succeeded in communicating it through the film?” is what you feel after watching Varudu film.

What starts off as a meaningful film aimed at showcasing the greatness of our marriage system, slowly gets into long and arduous spells of preaching and routine action drama.

Getting into the details, Sandeep a.k.a. Sandy (Allu Arjun) is a trendy youngster of twenty first century with enough respect to our culture and tradition. He is the doting son of a very sweet couple Vasu (Suhasini) and Gopi (Ashish Vidyardhi). Sandy’s parents are love married couple and Sandy helps his friends in their love marriages. He is the centre of attraction of his friends’ gang and everyone in his gang is of the opinion that Sandy’s will be a thrilling love marriage.

Songs : 1. Ye Teega Puvvuno Theme Song
      2. Prema Prema
      3. Ye Teega Puvvuno
      4. Bale Bale Mogadivoy
      5. We Dont Care
6. Ninnu Nannu

Review :

In his debut directorial Maro Charitra, cinematographer-turned-director Ravi Yadav tries to reap the most out of the immortal fame of K Balachandar's cult love story of the same name. He blends his vision of a tragic love story with colour, comedy (that is, unintentional) and tragedy (that is, despite the 'happy ending'). He believes that just the name and the memory of the 1978 original are enough to bank upon, conveniently forgetting that the same could turn out to be its biggest liabilities. However, if you are someone who has always been hugely consumed by that intoxicating original, Ravi Yadav's interpretation may impress you a bit. After all, don't we know that even poorly-composed and badly-sung bhajans of our favourite deity inspire devotion?

Here is another story of love for the Telugu audience. Shivaji comes up with a challenging role, while as a producer, he displays even more guts. Taj Mahal is not a run-of-the-mill love tragedy, but a melancholy story, with an element of risk in it. This is one film which has not tinkered with the climax of the original. You could say, the debut producer has allowed the story-teller in the director, carte blanche to be true to the original idea.

First things first, our filmmakers must get their lessons right when they are scripting revenge dramas. The audience who have liked a Ghajini, to be sure, cannot tolerate a milk-and-water delivery like this.

Years after delivering the well-executed Thammudu and neatly-told Gowtham SSC, Arun Prasad comes up with a supposedly racy thriller, and falters, rather terribly. Set in Bangkok, the film begins off well, but falls in grace, way too early. The ensemble cast - Navdeep, Kim Sharma, Bhumika, Rahul Dev, Ajay and Harshvardhan - and technical biggies like Mani Sharma (Music), Marthand K Venkatesh (Editing), Bharani K Dharani (Cinematography), try to make it a brilliant film, but it is only a handful of them who do justice to their jobs, while others, including Navdeep and Mani cause a heartbreak.

Aakasa Ramanna comes with an eerie idea of the philosophy of Karma. Though its understanding of karma is twisted and middle class, the film, thankfully, doesn't rest on the concept. It belongs to the genre of suspense thriller. It all takes place in a span of 40 minutes, but when it comes to a pleasing narration, it seems just there.

The best part is that Naresh, Gauri Pandit, Meera Jasmine and Naga Babu put in good performances, while Rajiv Kanakala and Shivaji come a cropper. Though it is not a standard practice to speak about the performances even before the film's subject, here an exception has been made because the film seems to suggest that it has great actors as its biggest strength who can take a gripping film, with a philosophical undertone, on their shoulders.

Inkosari, released after a delay of over a month, finally hits the screen on the day another youthful flick Yemaya Chesave hit the marquee. Directed by Suman Pathuri and produced by Kalyan Palla, it blends fun with tacky seriousness and fares average. For all the promise it held prior to the release, it falls short on delivering the goods. However, it is enjoyable and feel-good, and throws up some soothing moments.

Songs : 1. Najaane
   2. Ayyorama
   3. Addanki Highway
   4. Bhoom Bhoom Shaka
   5. Sexy kara
6. Asalemayyinde

Review :

Ghosh! Here is yet another trauma. Jagapathi Babu, the once-promising actor and hero with a mild mass image and raw appeal, falters yet another time in his choice. And, yes, Priyamani, wastes her immense talent, one more time. Sadhyam is one good opportunity lost, to say the least. It seems to be throwing up an interesting part, and it keeps lurking in the beneath, never to come up in the film. It is because, the director seems to have undermined the essence of the film, rather unabashedly.

Seems that some of the directors who made a debut in the last months need to take a lesson in the craft of direction. Watching 'Om Shanthi', you will like to make this suggestion one more time. Prakash Dantuluri's first work begins like a terrorist flick, soon turns into a wafer-thin popcorn flick and culminates in a poorly conceived and executed climax. So much so, you will ask, "where are five stories, five characters and one truth?" Every character can't qualify to be called a narrative. Every narrative can't make a story. Let alone five stories that we were always told would be running parallel, the film doesn't even boast of a compelling climax.

There do come some films which require a thorough take and moral/intellectual critique of the subject they deal with or the arguments they throw up, than about the film itself. Shambo Shiva Shambo falls under this category. Like wise, there is not much to be written about this film. At one point in the film, Shambo.. just outrages our moral sensitivities. Here is a film that comes up with a shocking and terrifying moral judgement. Thankfully, the ending was not as silly than this reviewer imagined. There is some moral sense left in the writer of the film. Thank God, for that.

Songs : 1. Neemeede Aasaga
               2. Mammalni Paalinchu
                   3. Daachindi Manne
                 4. Oh Eesa
                   5. Singaarinchina
                 6. The King Arrives
                   7. Ninnu Eri Kori
                   8. Maalai Ninnu
                   9. Celebration Of Life

Rieview :

It is hard to believe that Sri Raghava, the director who has delivered sensitive entertainers like 7/G Brindavan Colony and Aduvari Matalaku Arthale Verule, could come up with a mediocre epic adventure like this. Yuganiki Okkadu throws up a saga that is interlaced with fictional history, an element of divinity, royalty and heroism, but is strangely imbecilic. There is big money involved, an ensemble cast, good technical team that does an impressive job, but nothing helps the film from coming a cropper.

Songs : 1. Suraangani

2. Suraangani 2

3. Spirit of Bindaas

4. Jum Garagara

5. Girija Girija

6. Character of Ajay

7. Entamma

8. Bindaas

Review :

If you care a damn for major hiccups in story and screenplay, not to forget other technical aspects crucial for a film like cinematography, Bindaas would seem tolerable. Veeru Potla's directorial debut is unexpectedly mediocre. Given that the story writer has earlier lent excellent stories for films like 'Varsham' to 'Athadu' and 'Nuvvosthanante Nenoddantana', you feel surprised at the fact that he has selected a wafer thin line for his debut.

Songs : 1. Maa Telugu Thalliki
   2. Hey CM
         3. Avnana Kaadana
   4. Leader Instrumental
   5. Rajashekara
   6. Vandemataram
   7. Sirulu Pongina

Review :

After raising the expectations of the audience top-notch, Shekar Kammula's political flick releases with a bang. The film comes in an avatar that is both commendably realistic as well as exceedingly direct and straightforward. Leader has a soul, but it also has a frail body. It's a film which will be counted as Kammula's first ever movie where the talented director has taken creative freedom to an extent that is more than what he should actually have.

Songs : 1. Vintunnavaa
   2. Manasaa
   3. Ee Hridayam
   4. Kundanapu Bomma
   5. Swaasye
   6. Aakaasam

         7. Aaromale

Review :

Ye Maaya Chesave is a tender love story woven around the characters of Karthik and Jessie - one, a youth completely overwhelmed by the new phenomenon in his love, that's, you know, a beautiful girl, and another, a lovable girl appearing credibly cute in saree, but seemingly painful when she lets her love for her father seep into a love relationship with the new guy in her life. Coming with a light feel, not to forget a sluggish pace that tests your patience, the Gautham Menon-directed love caper uses a psychological make-up of its female lead as its counterbalance. And it is her mental make-up, that is both a riddle and a bane for the rest of us - as well as for the hero.

Songs : 1. Basicga Opigga
      2. Cheetiki Matiki Remix
     3. Naa Kallalo
4. Cheetiki Matiki
      5. Vellke Vellake
      6. Kiss ME Baby
   7. Naa Kallalo 2

Review :

Here comes our Telugu hero, who scripts a simplistic fun drama to oust the villain from the matrix. All it takes for him is an idiotic Appalraju (Brahmanandam) and an equally dumb-witted Veera Prathap (Salim Panda), who is just blinded by his love for Indu, so much so he has no hunch of what a fool he is becoming. Another film that draws heavily from the format of films that have, in the recent past, reduced the blood-thirsty villain to an embodiment of imbecility and foolishness. Yes, yet another time, he is, though a Ravana himself, a crack brain, easily trampled upon until the climax. And in the climax, the film anyway has a fight-to-finish battle, that we all know, is won by the hero.

Songs : 1. Neeve Na Neeve Na
   2. Enduko Enthaki
   3. Kedi gadu Orchestra
   4. Muddante Remix
   5. Janiya Jane
   6. Relarey
   7. Short And Sweet
   8. Neelo Emunnadi
   9. Kedigadu

Reviews :

It has someone like Nagarjuna in the lead. On technical standards, it scores well. There is a producer who gives his best in ensuring that the film turns out to be a product that boasts of good technical-production values. But, nothing stops Kedi from becoming the first big ticket disaster of this year. You will be surprised to find the film worse than an average soap on your favourite channel, targeted for the urban youths. To be fair to Kiran, the director sticks to his roots. He makes an episodic caper littered with two or three excruciating duets. To know how a top hero looks in a serial, watch this one. It is being played out on the big screen.

Songs : 1. Soundarya
2. Non Stop
3. Tuttadoi
4. Nee Kallalo
5. Namo Venkatesa
6. Ding Dong

Reviews :
Hype is not always good. 'Namo Venkatesa' was said to be going to touch the pinnacle of comedy before its release, but it turns out that the film has only an ordinary comedy track. Never matter, because it is enjoyable, even though a little less convincing than we would have wanted. For yet another time, director Sreenu Vaitla employs his favourite formula, in the hope that it gives him results. Will it or won't it? Let's wait and see. That not all tested formulae are fail-safe is to be borne in mind.

Avatar

What is it?

‘Avatar’, Oscar winner James Cameron’s next feature after ‘Titanic’ is a dazzling spectacular treat in technical terms but on content wise it’s another smartly woven Bollywoodish romantic heart beat.

Its no surprise by now that the English adapt the soap-opearish known and accepted Bollywood (or rather say human emotions) and come out dazzling as winners, the reason they do it with technical finesse and don’t go overboard like many of film makers or call it film fakers do.

Of all the releases slated for today, only Vaade Kaavaali has made it to the theatres. In all praise for the guts of the makers, we offer our kudos to them. Starring Sairam Shankar, the film is well-presented and well-written. Especially, its dialogues are simple but effective. However, the film, like the previous of Sairam's film Bumper Offer, slackens in the second half. This turns out to be its biggest disadvantage, though the narration scrapes through the restrained performance of the young actor.

Saarai Veerraju is an important film for Ajay, a budding artiste in Tollywood, whose acting mettle has never been explored so better. As the lead, Ajay impresses from the word go. His breathless explanation of how he won the Rs.6-costing curd rice is enough to sound the bugle. However, at times, his acting seems a poor version of Prabhas'. Though it is commonplace to see actors getting influenced by the style of others, it is better if actors are their ownselves.

Pravarakhyudu is one of the most awaited releases of December. Starring Jagapathi Babu and Priyamani, the film has been awaited by both the youth and the family audience, because it seemed to be a good motley of a universal theme and a protagonist (mythological Prvarakhya revisited) played by an actor who commands good popularity among middle-aged women. As was expected, Madan comes up with a story that derives its strength from its characters. Needed to such a story/film are interesting screenplay and dialogue, and on these parameters Pravarakhyudu is just about adequate. There are suitable doses of intellectualism, with Jagapathi presenting his own practical philosophy on things as deep as romance and love.

In Amaravathi, did you ever expect Ravi Babu to play the most important actor? In fact, he is the lead of the film. In his acting career spanning many years, probably this is the first time that he is playing a non-villainous or non-comedic character. And, he does succeed in running the show well. His latest directorial offering Amaravathi, is a suspense thriller, that throws one of the most interesting antagonists in recent times. The other important highlight of the film, of course, is its technical finesse.

Many years after Arya won our admiration for his unique definition and understanding of love, he is back as a psychologically unsound character with his own dilemmas and quirky habits in life. With highs and lows of his character, Arya-2 (though not in any way a second edition of that mature predecessor) is, nevertheless, both interesting and sympathetic. Kudos to director Sukumar for penning a totally hatke character. Though comparisons with the first part are invariable as one watches the movie, especially because of the triangular element involved, it proves totally unwise to make such juxtaposition for two reasons - one Arya has a different personality here, and two, Sukumar does not centre his film on love but on the peculiar nature of his awesome protagonist.

Songs : 1. Chary
2. Pilla Naavalla Kadhu
3. Neethone
4. Shiva Shambho
5. Shiva Shambho DSP Mix
6. Chandrakala
7. Assalaam Valekhum

Review :

For those of you who like to laugh out loud and have no expectations of how a Vinayak or NTR film should be, Adurs offers good amount of entertainment. The film's greatest strength is its comedy and it may be said that we have never seen a better comedy in any of the previous Vinayak or, for that matter, Junior film in the past. It is clear that Adurs' writers and the director knew well beforehand that they were dealing with an average plot, involving two twins separated at birth by that favourite old lady, the bhamma in cahoots with the nurse, and the more ordinary premise of one growing up to be valorous and the other a timid one, and instill enough funniness into the proceedings.

Songs : 1. Sound Of Vel
   2. Thaka Thaka
   3. Ding Dong
   4. Bhayanga
         5. O Kaalama
   6. Just Play

Review :

Just Yellow's movies are eagerly awaited by buffs of intelligent cinema. Though their films in the recent years, Aithe and Anukokunda Oka Roju, did not rake in moolah despite being very good, its producer Gunnam Gangaraju has been undeterred. This time, after a super flop Amma Cheppindi (which, nevertheless, was a bad one), he has come up with a good thriller film, where you have a murder mystery superimposing heroine's unhealthy mental status.

Coming from a front-line director, a successful production house and the combination of Vishnu-Illeana, with music by Bollywood brain Sandeep Chowtha, Saleem has been triggering the expectations of the audience since months. Added to it, the boasting of of its high cost, which the producer pegged at Rs. 23 cr., certainly made the audience expect a fascinating technical stuff from the potboiler. Bummer! Yes, Saleem is a sour disappointment.

Released on the eve of Christmas, Vaibhav-starrer Kasko, presented by yesteryear's star director Kodandarami Reddy, fails to cash in on the festive fervour. Coming up with a rather weak storyline, the film tries to bank on Brahmanandam's star comedian status in the first half. Vaibhav tries his best to pull through the action sequences and comedy scenes, but it is dance where he is at his best. G Nageshwar Reddy (director) should have resorted to better techniques to entertain the audience, instead of trying to incorporate Telugu cinema's most-trusted elements like comedy (which more often than not take the form of cheap humour) and more action than is necessary.

Songs : 1. Naarinja pandu
2. Olammo
   3. Ravanamma
   4. Maikam
   5. Bujjikonda

Review :

Bumper Offer, from Vaishno Academy, finally released this Friday and it can be said the film is a big comeback for Sairam Shankar whose debut 143 released three years ago was a flop. As a matter of fact, though not a bumper, it gives a bang for your money. You may have a few complaints about the movie, but it is clear paisa vasool. Formulaic and comedic, the film has the signature stamp of producer-screenplay and dialogue writer Puri Jagannadh in the first half. And the second half is pretty simplistic with dosages of laughter guaranteed.

Story:

Shiva (Nitin), is a guy who believes in the Taxman strategy – robbing the rich to feed the poor. Shiva soon comes to know of the 500 crore rupee booty stashed away at the Home Minister’s (Ahuthi Prasad) residence. He sketches out a plan to steal that money and succeeds in it. The money actually is the illegal earnings of the Mafia through cricket betting and was seized by the police. The Mafia comes to know that their money is stolen and as retaliation, the Don kidnaps the Home Minister’s daughter, Krishna Veni (Ileana). He asks to pay him back his 500 crore and for the release of his arrested men in exchange for the minister’s daughter. Krishna Veni being his girlfriend, Shiva flies to Dubai and fights off the baddies to rescue her. Shiva’s efforts to bring back his girlfriend forms the basic substance of the film.

The famous Usha Kiron Movies banner has been known to give a good break to aspiring actors and usually they come up with sensible storylines and decent budgets. But this time, they have gone way off the mark with this new flick which is ideally a youth entertainer. Claiming to be a fine line between friendship and romance, the film has actually left a question mark on the audience’s face.

It has been a while since the film ‘Mahathma’ has become the talk of the town and true to its fame, it has got into few hitches with the censor board as well before hitting the screens. Well, the film seems to have lived to the hype and in a way got the audience to come out with a new impact.

The talented and most bankable hero Allari Naresh has been reeling through few flops after the super hit ‘Blade Babji’. So this time, he was keen on proving his mettle at the box office. Also, this movie was quite special since it was being directed by his father E V V Satyanarayana and produced by the movie mogul D Ramanaidu. Let us see how the film has gone.

Ghatikudu

Whenever there is a film from Suriya, the expectations are high and there is also an element of variety offered from him. So this time, he has come up with ‘Ghatikudu’ and let us see how different it has been from his earlier ventures.

Energetic star Nandamuri Kalyanram has been looking for a hat trick with his third venture since it is from his home banner. Whether he was able to fulfill his goal or not, let us see.

Ram (KalyanRam) lives his life abroad from a long time and the reason for that is his father Bhavani Shankar (Mukesh) who is a dreaded person in India. However, he does good for the people but has a rival in Narasimha (Jayaprakash reddy). Whenever they clash, the issue is settled by the big don Yadu (ashish) who lives in Hong Kong. However, Bhavani’s father (Chalapathi rao) calls Ram to come to India. He also reveals that both Bhavani and Narasimha were best friends once upon a time but got separated due to the evil plans of Yadu. Ram decides to teach Yadu a lesson and goes to Hong Kong. He is successful in his attempt and also falls in love with Anjali (Hansika), fashion designer. He returns to India and so does Anjali. However, they realize that Anjali is the daughter of Narasimha. Ram hatches a plan and he decides to get the sworn enemies together. Whether he is successful or not forms the rest of the story.

Ek Niranjan

The second film in the combination of director Puri Jagannadh and hero Prabhas finally released this Friday to great expectations. Coming with a storyline that is simple, it is packed with action and some already-seen moments.

It can be said that, in months, Villagelo Vinayakudu is one neat film that comes as a whiff of fresh air. A story with good entertainment values, it is targeted at every kind of audience and all age groups. Be it the sugar rush Saranya's bristling smile gives us or the innocent love she shares with her fatso lover boy Krishnudu, the light humour and the East Godavari essence, Villagelo... is entertaining in every aspect.

This one is a family entertainer and a love story that holds us to the seats despite being predictable. Sai Kiran, the director who hails from the Shekar Kammula school, does it again. In fact, he betters himself from his debut film Vinayakudu.

Remake of Tamil superhit 'Polladhavan', 'Kurradu' is a film to watch out for. It's a film that is saved by a gripping narration, an intense screenplay coupled with the riveting performance of its lead Varun Sandesh, not to speak of the baddies' who pitch in equally powerful acting. The film launches lover boy Varun in a new vista and he glows like a star in it. You will be surprised to know that Varun is a good fit in a violence-significant film. No more mere lovey-dovey stories for this talent - Varun can ably deliver in a semi-action based movie and get our laurels.

Story

Set in the year 1989, Bhagat (Rohit) is a man of strong conscience and determination. His goal is to get into the police force and wipe away the evil. His father Shekar (Sayaji) is an ex-naxalite who comes back from his former life. All goes well until Bhagat comes across a conventional and traditional Brahmin girl Lakshmi (Vedhika). She has a sad story and Bhagat gets her home. In no time, trouble begins and what starts as a small thing ends up becoming an issue with the dreaded don Shakti (Randhir). What is that incident? Is Bhagat successful in achieving his goal? All this forms the rest of the story.

Story

Former Police commissioner Eshwar Prasad (Venkatesh) recalls the one day that changed his life forever. The story begins with the call he gets from a stranger (Kamal) who says that bombs have been planted across various parts of the city. What is assumed to be a prank turns out to be real with a bomb close to the police headquarters. Eshwar takes matters seriously and ropes in two of his best men Gautham and Arif Khan (Ganesh) on the job. The stranger demands the release of four most wanted terrorists responsible for bomb blasts in the city and across the nation. After a while, Eshwar complies to the demand and gets the accused to the said site. However, a sudden surprise awaits the police force and also those who were expecting a typical release. What is that and why it happens forms the rest of the story.

Story:

Ganesh, (Ram) is a happy go guy with loads of enthusiasm and a thing for helping others. He has friend who falls in love with girl that doesn’t fit into the scheme of things designed by his father (Kasi Viswanath). The father wants his son to be married to his niece Divya (Kajal). Not able to see the pain of his friend, Ganesh decides to help him out by making plan to make Divya fall for someone else i.e Ganesh. He puts his plan into motion by starting out as a tenant of Divya’s at an apartment complex in Hyderabad. The place is apparently, filled with several, 26 in all, playful kids. These kids make their presence felt in all corners of the buildings. Mahadev, played by Ashish Vidyarthi, and Yadgiri (Brahmanandam) match each other’s wits, though Mahadev is the baddie and Yadgiri, the local goon is on the funnier side of things. Ganesh, apparently, has to manage all these people and succeed in his goal of impressing Divya and the methods that he employs form the gist of the film.

Story

Due to a camera not working, the shooting of a film about to be completed gets delayed. Since there are two days of time left, the unit decides to spend the night at a nearby forest. The team has the assistant director (nitin), heroine Asha (priyanka), hero (gautham), producer Murthy (ishrat), director JJ (harvey), spot boy Laxman (ishteyak) along with the forest guide Sethu (joy), stunt master Rakka (Ravi kale), Sameera (Rasika). Sethu is the only guy knowing the jungle terrain but the next morning he is found dead. Before the unit realizes, another member gets killed and they realize that there is some unknown force that is killing them all. Whether they manage to escape from death or not forms the rest of the story.

Songs: 1. NeethoVunte
2. Jigijika
3. MeMeMekaBitSong
4. DiridiriDiridiri
5. Annayochinado
6. BadBadBoy
7. AawaraHawa
8. Evvariki
9. CollegeBulloda

Review :

Story

Satya (Naga Chaitanya) discontinues his education and comes from Vizag to Hyderabad. There, he comes to the MGM college which is known for its bad environment and a sequence of events happen which get him in conflict with the two major student gangs there. On the other hand, he has also got a love angle going with Nitya (Karthika), a teacher at school. The story takes a turn when the friction increases and Sathya decides to join the college. He does bring about some change but then there is a story behind this. Also, Satya is keen on ending the college’s ties with Durga Rao (JD). What is that story? Is Satya successful in his objective? All this forms the rest of the story.

Gopi Gopika Godavari

Story

A different romantic tale, the story is about Gopi (Venu) a singer with the orchestra band and he is a man with a heart of gold. He is always helpful to others and in one such instance, he helps a girl who is a very close friend of Gopika (Kamalini). Gopika is a doctor and she runs a mobile clinic at Polavaram, she has a boat which travels to various villages on the riverside of Godavari and treats the villagers. A tragedy happens and Gopi and Gopika get to speak to each other over the mobile phone. Soon, their conversations increase and also their attachment. Though they don’t see each other, they tend to fall in love and Gopika’s mother Varalakshmi (Jayalalitha) decides to meet Gopi to see if he is reliable enough. Gopi decides to come and meet Gopika but on the way, an unexpected event happens leaving Gopi with memory loss. What happens from there forms the rest of the story.

Kalavaramaye Madilo

Story

A known tale, the story begins with the hardworking and talented girl Sreya (swati) who works in an audit firm. She lives along with her mother and is from a middle class background. Though she is in the firm, her heart lies in singing and she wants to become a singer. Her goal is to work one day with none other than Chennai Mozart A R Rahman. So she joins a hotel as a singer and the story takes a turn when this is visited by a noted classical singer Rao (vikram gokhale). He identifies the flaws in Sreya’s singing and gives her his piece of mind. Sreya decides to take this as a challenge and starts learning under him. What happens from there forms the rest of the story.

Story

In the 16th century, Kalabhairava (charan) is a warrior general and Mitra (Kajal) is his queen. However, she is in love with him and he loves her too but never expresses it. Mitra is lusted by her relative Randev (devgill) and he is the commander in chief of the kingdom of Udaygarh. He manages to separate Bhairava and Mitra but not before he dies. The story comes to the present times when Harsha (charan), an avid biker has his life going smoothly. This takes a turn when his hand brushes with that of Indu (kajal) on a rainy day and before he sees her, he knows that there is something between them. Finally he manages to see her and love happens. But not before, Randev is born again as Indu’s relative and history repeats. Does Indu know her past? Is Harsha successful in his love? Go to the theatres and watch it.

Story

Sai (naani) happens to be an orphan and he grows from his childhood in a rather tricky style. Sai tends to sleep at homes when the owners are away on their vacations and though he is an intelligent guy, he is also a kind person at heart. During one such stint of his, he ends up in the bungalow of Savitri (madhavilatha) who happens to be a girl with pride. Sparks of repulsion begin to fly in the beginning and they tend to get into fights. Eventually friendship blooms and all goes well until one day Savitri has a fight with her dad and walks out of her place. Sai comes into the picture to help her out and what kind of role he plays forms the rest of the movie.

Story

Anjaneyulu (Ravi teja) is one man who has a big mouth, however he has a good heart and is a brave man too. He comes across Anjali (Nayantara) through an incident and falls in love with her instantly. Anjaneyulu works with a TV channel and he is the darling of his parents Murthy (Nasser) and Lakshmi (Vinaya). Even he loves them dearly but then he goes into sadness when both of them get killed in a bus accident after they come to see him. However, he discovers that this accident was intentional and it is due to the big and dreaded don Bada (Sonu) along with his gang of government officials and police. Anjaneyulu decides to teach them a lesson and how he does that forms the rest of the story.

Story

Mallanna (vikram) is a CBI officer during the day and he becomes Mallanna in the night. The latter role is to solve the problems of the poor who write down their problems in a piece of paper and tie it to the tree in the temple of Mallannaswamy. Mallanna is with the economic crimes cell and in one raid, he catches hold of all the assets of PPP (ashish). Subbalakshmi (Shriya) is PPP’s daughter and she decides to take revenge. She pretends to be in love with Mallanna and he realizes that. However, things change when the identity of Mallanna is revealed and PPP strikes a deal with him. In the meantime, Subbalakshmi realizes her folly and falls in love with Mallanna genuinely. Does he accept her love? What is the deal? All this forms the rest of the story.

Story

Set on the backdrop of Australia, the story begins with the happy go lucky Chandu (Gopichand) whose only aim in life seems to be to get into fight given his martial arts and fitness skills. However, action doesn’t happen but love happens to him when he sees Mahalakshmi (Trisha) and since then he chases her. Finally she gives in but not before her aunty comes and takes her back to India. Mahalakshmi is the daughter of the dreaded Pasupathy (Kota) in Rayalaseema region and he has got his staunch enemy in Sivaiah (Sathyaraj) who is considered as god by the locals. The interesting bit is Chandu happens to be the son of Sivaiah but he doesn’t know that until he comes to India to take Mahalakshmi. The father and son meet and what happens from there forms the rest of the story.

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